“If you witness something terrible and then go back to work the next day and everyone pretends the world didn’t just split open inside you? That silence is the trauma. I make things for the people who live in that silence.”

I recognised her first. Elizabeth Ryker. Her name had appeared now and then over the years in minor news pieces and trade journals. She spent her early career in Sydney as an industrial chemist and built her own private laboratory before relocating that work to the Northern Territory in the mid 2000s.

Isla doesn’t sing for catharsis; she sings through it. She’s proof that some artists don’t survive to tell the story — they tell the story to survive.

This archive collects three foundational posts concerning the July 2017 "Flight Tragedy" event. This incident marks the first public, sensationalized record of Isla.

March 10, 2024 More than a year after the audacious and deeply embarrassing escape of convicted syndicate boss Dominic Ryker from Long Bay Correctional Complex, a damning 3,000 word psychiatric evaluation obtained by The Public Record reveals that prison authorities were given explicit warnings about Ryker's "grandiose" self concept, high manipulative capacity, and unbroken pattern of coercive control just weeks before he vanished. The confidential report, dated February 20,

There’s a point in every Isla song where you can feel her stop holding back. It’s not a scream, not exactly, but something older, more primal. There long before we had the words for it.

The Ryker myth suggests that only a certain kind of man can “get things done,” and the rest of us should be grateful enough to stop asking questions. That bargain is how corners erode. It’s how a city wakes up twenty years later and wonders why the same names appear on every tender list.

Australia needs people who can say yes when others stall. We need the doers—unyielding, imperfect, decisive. Ryker is one of those. He’s not a choirboy. He never claimed to be. But he built, he hired, he delivered. That matters.